Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
Various natural sounds and foley, as well as synthesized sounds, ambience and effects.
Float
Sound design for Design & Digital Media MSc student project by Philip Touchais.
Implemented in Blender Game Engine.
Procedural and Granular Sound
These sounds were created using procedural and granular synthesis methods, utilizing various (and often unrelated) “seed” soundfiles, algorithmic pitch and tempo parameters, and multiple concurrent grain voices.
Implemented in Max/MSP.
Video
Excerpts from Sound Design MSc final project / Sound design for short film.
Sound design for animated short film, with a focus on synthesized/manipulated sounds in a sci-fi setting.
Making use of custom Max/MSP patches, granular sound manipulation, and realtime sound generation, the aim was to integrate all sound elements in a coherent, flowing soundtrack with musical and rhythmical properties.
Interactive
Simple interactive music application. Click to run (requires Adobe Shockwave Player).
An interactive music generator, utilizing eight instrumental tracks, from which loops of semi-random positioning and duration are initialized and controlled by the user.
A basic volume mixer is also included.
Coded in Lingo/Adobe Director, 2004.
Music
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
Style exercise, created in Ableton Live using reFX’s QuadraSID chip emulator.
Percussion is manipulated sounds of a hard-drive’s spin-up rattles.
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
Making use of algorithmic generation, the track features subtly evolving percussion and rhythmical noise sources.
Portfolio
Audio Reel
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
Various natural sounds and foley, as well as synthesized sounds, ambience and effects.
Game Audio
WW1: Source
Audio design for WW1:Source, an HL2 mod.
Weapons, foley, and background ambience.
Float
Sound design for Design & Digital Media MSc student project by Philip Touchais.
Implemented in Blender Game Engine.
Procedural and Granular Sound
These sounds were created using procedural and granular synthesis methods, utilizing various (and often unrelated) “seed” soundfiles, algorithmic pitch and tempo parameters, and multiple concurrent grain voices.
Implemented in Max/MSP.
Video
Excerpts from Sound Design MSc final project / Sound design for short film.
Sound design for animated short film, with a focus on synthesized/manipulated sounds in a sci-fi setting.
Making use of custom Max/MSP patches, granular sound manipulation, and realtime sound generation, the aim was to integrate all sound elements in a coherent, flowing soundtrack with musical and rhythmical properties.
Interactive
Simple interactive music application. Click to run (requires Adobe Shockwave Player).
An interactive music generator, utilizing eight instrumental tracks, from which loops of semi-random positioning and duration are initialized and controlled by the user.
A basic volume mixer is also included.
Coded in Lingo/Adobe Director, 2004.
Music
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
Style exercise, created in Ableton Live using reFX’s QuadraSID chip emulator.
Percussion is manipulated sounds of a hard-drive’s spin-up rattles.
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
Making use of algorithmic generation, the track features subtly evolving percussion and rhythmical noise sources.